Upon listening more closely to the rolling bounds undergirding “Sorry,” it’s clear they’re closer to the music heard in brick-and-mortar dance halls in Jamaica in the 1970s than trop-house. And the problem here — which those classifying “Work” as trop-house are contributing to — is that music from the West Indies and its founders, Top 40 purveyors, and lesser-known practitioners need to be more in the conversation around the pop songs they influence.
http://www.spin.com/2016/01/rihanna-...-selena-gomez/
http://www.spin.com/2016/01/rihanna-...-selena-gomez/
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