I thought that what Rory had to say is important enough to warrant posting here. The man is making a lot of sense in what he thinks, says and does!
Extract below taken from The Jamaica Observer, Friday, June 14, 2013
(http://www.jamaicaobserver.com/enter...ments_14485284 )
"I could have taken the easy way out... create some beats and 'riddims', draw for the biggest artistes, record them, and release a string of sub-standard tunes. But that is not my style," he explains.
"I like being the voice of the unknown. I get a rush out of finding that voice, that artiste that nobody has heard of, or has not heard from in a long while, and work with them... I get a rush from that," he adds.
Even Gilligan's production methods are different from prevailing trends. He is not into looping tracks, but rather records section by section with melodic introductions which he hopes will produce a signature sound.
Reflecting on his days at the turntable, he winces at some things he did.
"Now that I'm in my 40s and a lot more conservative I look back at how stupid I was in the things I did and said during the 1980s and '90s. That's why now I cannot record certain things and certain artistes, because I know the power of the microphone and the music, and the effect it can have on people, despite what other people want to say."
Read more: http://www.jamaicaobserver.com/enter...#ixzz2WDMkSADI
Extract below taken from The Jamaica Observer, Friday, June 14, 2013
(http://www.jamaicaobserver.com/enter...ments_14485284 )
"I could have taken the easy way out... create some beats and 'riddims', draw for the biggest artistes, record them, and release a string of sub-standard tunes. But that is not my style," he explains.
"I like being the voice of the unknown. I get a rush out of finding that voice, that artiste that nobody has heard of, or has not heard from in a long while, and work with them... I get a rush from that," he adds.
Even Gilligan's production methods are different from prevailing trends. He is not into looping tracks, but rather records section by section with melodic introductions which he hopes will produce a signature sound.
Reflecting on his days at the turntable, he winces at some things he did.
"Now that I'm in my 40s and a lot more conservative I look back at how stupid I was in the things I did and said during the 1980s and '90s. That's why now I cannot record certain things and certain artistes, because I know the power of the microphone and the music, and the effect it can have on people, despite what other people want to say."
Read more: http://www.jamaicaobserver.com/enter...#ixzz2WDMkSADI
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