Tweet
Roots and the Issue of Plagiarism
Courlander wrote seven novels, his most famous being The African, published in 1967. The novel was the story of a slave's capture in Africa, his experiences aboard a slave ship, and his struggle to retain his native culture in a hostile, new world. In 1978, Courlander went to the U.S. District Court of the Southern District of New York, charging Alex Haley of Roots with plagiarism of The African. Citing appropriation of more than 80 passages from The African, Courlander's pre-trial memorandum in the copyright infringement lawsuit stated: "Defendant Haley had access to and substantially copied from The African. Without The African, Roots would have been a very different and less successful novel, and indeed it is doubtful that Mr. Haley could have written Roots without The African. . . . Mr. Haley copied language, thoughts, attitudes, incidents, situations, plot and character."
In his report submitted to the court in this lawsuit, Professor of English and expert witness on plagiarism, Michael Wood of Columbia University, stated: "The evidence of copying from The African in both the novel and the television dramatization of Roots is clear and irrefutable. The copying is significant and extensive....Roots...plainly uses The African as a model: as something to be copied at some times, and at other times to be modified; but always, it seems, to be consulted. . . . Roots takes from The African phrases, situations, ideas, aspects of style and of plot. . . . Roots finds in The African essential elements for its depiction of such things as a slave's thoughts of escape, the psychology of an old slave, the habits of mind of the hero, and the whole sense of life on an infamous slave ship. Such things are the life of a novel; and when they appear in Roots, they are the life of someone else's novel."
After a five-week trial in federal district court, Courlander and Haley settled the case[1], with Haley making a financial settlement and a statement that "Alex Haley acknowledges and regrets that various materials from The African by Harold Courlander found their way into his book Roots."[2]
During the trial, presiding U.S. District Court Judge Robert J. Ward stated, "Copying there is, period." In a later interview with BBC Television, Judge Ward stated, "Alex Haley perpetrated a hoax on the public."
During the trial, Alex Haley had maintained that he had not read The African before writing Roots. Shortly after the trial, however, Joseph Bruchac, an instructor of black literature at Skidmore College, came forward to swear in an affidavit that in 1970 or 1971 (five or six years before the publication of Roots) he had discussed The African with Haley and had, in fact, given his "own personal copy of The African to Mr. Haley."
Courlander wrote seven novels, his most famous being The African, published in 1967. The novel was the story of a slave's capture in Africa, his experiences aboard a slave ship, and his struggle to retain his native culture in a hostile, new world. In 1978, Courlander went to the U.S. District Court of the Southern District of New York, charging Alex Haley of Roots with plagiarism of The African. Citing appropriation of more than 80 passages from The African, Courlander's pre-trial memorandum in the copyright infringement lawsuit stated: "Defendant Haley had access to and substantially copied from The African. Without The African, Roots would have been a very different and less successful novel, and indeed it is doubtful that Mr. Haley could have written Roots without The African. . . . Mr. Haley copied language, thoughts, attitudes, incidents, situations, plot and character."
In his report submitted to the court in this lawsuit, Professor of English and expert witness on plagiarism, Michael Wood of Columbia University, stated: "The evidence of copying from The African in both the novel and the television dramatization of Roots is clear and irrefutable. The copying is significant and extensive....Roots...plainly uses The African as a model: as something to be copied at some times, and at other times to be modified; but always, it seems, to be consulted. . . . Roots takes from The African phrases, situations, ideas, aspects of style and of plot. . . . Roots finds in The African essential elements for its depiction of such things as a slave's thoughts of escape, the psychology of an old slave, the habits of mind of the hero, and the whole sense of life on an infamous slave ship. Such things are the life of a novel; and when they appear in Roots, they are the life of someone else's novel."
After a five-week trial in federal district court, Courlander and Haley settled the case[1], with Haley making a financial settlement and a statement that "Alex Haley acknowledges and regrets that various materials from The African by Harold Courlander found their way into his book Roots."[2]
During the trial, presiding U.S. District Court Judge Robert J. Ward stated, "Copying there is, period." In a later interview with BBC Television, Judge Ward stated, "Alex Haley perpetrated a hoax on the public."
During the trial, Alex Haley had maintained that he had not read The African before writing Roots. Shortly after the trial, however, Joseph Bruchac, an instructor of black literature at Skidmore College, came forward to swear in an affidavit that in 1970 or 1971 (five or six years before the publication of Roots) he had discussed The African with Haley and had, in fact, given his "own personal copy of The African to Mr. Haley."
Comment