Sponsorship Woes
Charles H E Campbell
Sunday, April 27, 2008
So Diageo Red Stripe has finally pulled the sponsorship plug on live events. This action was inevitable, given the region of Europe where their headquarters is based and the worldwide reach of it products. Added to that is the fact that total sales of Red Stripe internationally is miniscule in comparison to some of their more popular brands.
Diageo's real problem is that by association, sales on these products could be more severely impacted by organised and targeted multinational consumer boycotts of its entire range of alcoholic beverages in the large markets which drive its volumes. Given this context, their recent decision was inevitable in order to preserve their share of the market.
At the same time, this action will have serious repercussions for the local live entertainment circuit. In Jamaica, there are only about 20 companies who assign significant sums for sponsorship of live popular events. Of these, traditionally, Red Stripe has been one of the top three. Both in terms of the number of events sponsored each year, as well as the amount they are prepared to dedicate to each project. This decision, therefore, will leave a gaping hole in the collective pool of private sector sponsorship funds and shall force some promoters to increase their risk funds. It may even lead down the road to increased entry prices for shows and parties.
Against this background, I was very impressed by the Elephant Man television interview on last week's episode of On Stage on CVM TV. It is always intriguing to observe the transformation of an artiste's viewpoint when his career takes off internationally. Usually, when they begin to travel frequently and interact with other cultures they soon develop a more enlightened worldview. I have never before heard Elephant Man sounding so eloquent. His comments on issues affecting the entertainment industry were obviously well thought out and influenced by his burgeoning career. The interview also showed the viewers and his fans a serious thinking and maturing Ele.
That same night, we attended Sizzla's Birthday Bash, dubbed Rise To The Occasion IV at Temple Hall Estate. The central issues addressed by the artistes in song and on-stage commentary were condemnation of homosexuality, the glorification of "gangsterism" and gun- "b***yboy, mi an' mi ten big gun a go visit yuh" (Turbulance) and the rejection of the new drive by police to enforce the Noise Abatement Act. At various times, it seemed like we were attending a political rally with some very militant statements coming from artistes like Coco Tea, Turbulence and Twin of Twins in particular.
Some of these acts seemed to be literally goading the considerable contingent of police present, to shut down the event at 2:00 am, if they dared. While simultaneously agitating the 2000 strong crowd to resist any attempt to do so. I was gearing myself up for a night of civil disobedience, but the police, very wisely and responsibly, took a somewhat flexible approach to the deadline. They allowed the event to proceed for about 45 minutes beyond 2am and by so doing prevented any cause célèbre. In a twist of fate, this relatively early ending time, seemed also to help Sizzla's cause because some of the top billed artistes were obvious no-shows.
In order to meet the time restrictions, promoters will have to consider reducing the length of their line-up. One of the unfortunate features of the night was the short stints which each artiste gave on-stage. Not many songs were done, and in most cases, the artiste only delivered a few lines from each song performed.
Before closing, I wish to congratulate Headline Entertainment and their most informative online newsletter. This has been a welcome addition to the media spectrum. So far, each edition has been well put together, covering significant current developments within the entertainment sector, as well as artistes' tour schedules and albums releases. This just goes to show that one needn't compromise quality in the drive to achieve success and popularity.
Email: che.campbell@yahoo.com
Charles H E Campbell
Sunday, April 27, 2008
So Diageo Red Stripe has finally pulled the sponsorship plug on live events. This action was inevitable, given the region of Europe where their headquarters is based and the worldwide reach of it products. Added to that is the fact that total sales of Red Stripe internationally is miniscule in comparison to some of their more popular brands.
Diageo's real problem is that by association, sales on these products could be more severely impacted by organised and targeted multinational consumer boycotts of its entire range of alcoholic beverages in the large markets which drive its volumes. Given this context, their recent decision was inevitable in order to preserve their share of the market.
At the same time, this action will have serious repercussions for the local live entertainment circuit. In Jamaica, there are only about 20 companies who assign significant sums for sponsorship of live popular events. Of these, traditionally, Red Stripe has been one of the top three. Both in terms of the number of events sponsored each year, as well as the amount they are prepared to dedicate to each project. This decision, therefore, will leave a gaping hole in the collective pool of private sector sponsorship funds and shall force some promoters to increase their risk funds. It may even lead down the road to increased entry prices for shows and parties.
Against this background, I was very impressed by the Elephant Man television interview on last week's episode of On Stage on CVM TV. It is always intriguing to observe the transformation of an artiste's viewpoint when his career takes off internationally. Usually, when they begin to travel frequently and interact with other cultures they soon develop a more enlightened worldview. I have never before heard Elephant Man sounding so eloquent. His comments on issues affecting the entertainment industry were obviously well thought out and influenced by his burgeoning career. The interview also showed the viewers and his fans a serious thinking and maturing Ele.
That same night, we attended Sizzla's Birthday Bash, dubbed Rise To The Occasion IV at Temple Hall Estate. The central issues addressed by the artistes in song and on-stage commentary were condemnation of homosexuality, the glorification of "gangsterism" and gun- "b***yboy, mi an' mi ten big gun a go visit yuh" (Turbulance) and the rejection of the new drive by police to enforce the Noise Abatement Act. At various times, it seemed like we were attending a political rally with some very militant statements coming from artistes like Coco Tea, Turbulence and Twin of Twins in particular.
Some of these acts seemed to be literally goading the considerable contingent of police present, to shut down the event at 2:00 am, if they dared. While simultaneously agitating the 2000 strong crowd to resist any attempt to do so. I was gearing myself up for a night of civil disobedience, but the police, very wisely and responsibly, took a somewhat flexible approach to the deadline. They allowed the event to proceed for about 45 minutes beyond 2am and by so doing prevented any cause célèbre. In a twist of fate, this relatively early ending time, seemed also to help Sizzla's cause because some of the top billed artistes were obvious no-shows.
In order to meet the time restrictions, promoters will have to consider reducing the length of their line-up. One of the unfortunate features of the night was the short stints which each artiste gave on-stage. Not many songs were done, and in most cases, the artiste only delivered a few lines from each song performed.
Before closing, I wish to congratulate Headline Entertainment and their most informative online newsletter. This has been a welcome addition to the media spectrum. So far, each edition has been well put together, covering significant current developments within the entertainment sector, as well as artistes' tour schedules and albums releases. This just goes to show that one needn't compromise quality in the drive to achieve success and popularity.
Email: che.campbell@yahoo.com
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